Upload your resume Sign in. Find jobs Company reviews Find salaries. Upload your resume. Sign in. Find Companies. The Walt Disney Company. The Walt Disney Company Salaries in the United States Salary estimated from 1, employees, users, and past and present job advertisements on Indeed in the past 36 months. Last updated: January 13, Most Reported. Guest Service Agent. Reservation Agent.
Does it cost anything to enter the competition? Do we have to submit college transcripts with our application? My friends and I attend different universities; can we still enter as a team? How many teams from the same university are allowed to enter the competition? I am not enrolled in a college or university in the United States, can I apply? We sent our application in but we have not received anything yet. What can we do? If we feel that our art skills are not good enough, can we have a non-team participant create our model, images, or other props for our entry? With the submission being electronic, do we need to create any physical materials? When will we know if we are a finalist team? If my team is selected as a finalist, who must be present at the final competition? Where can I learn more about Walt Disney Imagineering? Are there internships available through this competition? When and where do the internships take place? My questions were not answered on your FAQ sheet, where can I get more information? What is the Imaginations Design Competition? It is open to college students and recent graduates to enable them to showcase their talents and gain practical knowledge in design, with the opportunity to win an all-expense-paid trip to WDI headquarters in California and be considered for internship opportunities. There is no cost to enter the competition. No, for your application you must submit a verification letter to verify enrollment or recent graduation no earlier than Spring from a college or university in the United States.
Select your country/region to personalize your site experience
The Walt Disney Company hires more then , people to fulfill all aspects of its business. From those working in amusement parks to those working in graphics and designs for some of the most talked about movies of the year, Disney means big business. For those looking to work within the company, it helps to have a sense regarding how much the company pays out. With that in mind, lets take a moment to review the position of Disney Imagineer. Along with describing their role in the greater Disney Company, we will review how much money you can realistically make when working in this profession. A great number of skills and professions fall in to the Disney Imagineer title. Some of these skillsets include master planning, creative development, concert development, show writing, design, engineering, architecture, interior design, production, project management, research and advanced design, ride systems, special events, multimedia planning, and interactive technology. What all of this means is that you can be a trained architect helping to design a part of a park, a designer helping to create content for a show, or an engineer helping to make it all possible. Depending on your skills and what Disney needs, you may very easily find yourself being hired by Disney in the role of Disney Imagineer.
2. Build Your Craft
For You. Start Salary Survey. Salary Research. By Company. By Job Title. By Degree. By Certification.
If you’re asking how much money does the Disney Company make annually on Mickey Mouse related merchandise, no one knows as Disney does not release that information to the public. Disney California Adventure is amazing because it is a representation of [the diversity of] California itself. We recently introduced a Coco -inspired menu at the Paradise Garden Grill and brought in cultural assistance to make sure we celebrated Dia de los Muertos in a respectful and authentic way. How did you draw that conclusion? I worked with Clare for about nine months, then went back to food. We work in a world now where everything is quick gratification; people believe they should have that senior management or executive job within the first year. Travel Photography. Customer Service. I would visit those attractions in the early morning and do a visual inspection, just like you would do before a theater production. It was my first big break into anything creative for Disney. Travel Tips. This takes a lot of people. Babies did not make Disney, a man named Walt Disney started the company after he lost his partner and his cartoon character to a company he worked for.
Find Walt Disney Imagineering Salaries by Job Title
Previous installments featured interviews with an undercover hotel inspectora social media influencerand a professional ghost hunter.
Up next: a Disney Imagineer. Is Disneyland the happiest place on Earth? David Caranci sure thinks so. He has worked for the Walt Disney Company off and on for more than three decades, including 17 years in the decorations department. In his latest role as Manager of Creative Development at Walt Disney Imagineering in Anaheim, California, Caranci spearheads a team of more than 40 Imagineers specializing in special effects, art direction, graphic design, and.
The big Halloween and Christmas celebrations? We caught up with the busy Disney devotee to discuss how he went from scooping ice cream as a year-old park employee to leading some of the most imaginative minds in the travel industry. How do I do this? At the time, I wanted to work on Pirates of the Caribbean. It took many Imagineers to bring Pirates of the Caribbean to life. My background is in prop and set design, and I started building props at home at a very young age.
This included model-scale parts of the Disney parks. And I continued to do that all the way up through high school. I chose food because they were going to pay me 10 cents more an hour and I would have benefits. I worked at Carnation Plaza Gardens, which used to be on the left side of the Disneyland castle. After a few years, I worked my way up to being behind-the-scenes in the kitchen, which paid a little more money.
Then I became a dinner cook foreman at Big Thunder Ranch restaurant. I still had those models I had built in school, so I actually went to a guidance counselor at Disney Universitybrought in some of my models, and said I had a desire to do props and sets. The counselor connected me with Clare Grahamwho was in the entertainment division and gave me a shot.
I worked with Clare for about nine months, then went back to food. Would you consider that your first big career break? It was my first big break into anything creative for Disney. I was really disappointed.
But what they were really saying was that I needed to get more education in the art that I wanted to do and refine my sculpting, painting, and drawing.
I spent time building up those skills. How did you draw that conclusion? Steve got a call saying George Lucas, C-3PO, and others were going to make an appearance for the opening of the ride, but they wanted to drive down the Disneyland parade route in some kind of a Space Age vehicle.
Steve only had 24 hours to pull something together and I was his gofer. He went out and grabbed one of our club cars, a little golf cart, and just started reworking it using Gator Board, foam board, big Lego blocks, all these things!
I realized at that point that I did not have the skills or the ability to know how to do that; I would have been completely lost. I could see where I was lacking and the areas I needed to build up. How did you learn those skills? So I had to get really creative. I also read a lot of books on theatrical props and how to build something out of. I still do it today. It keeps me fresh. So you started in the Disney decorating department in Do you remember your first assignment?
It takes an army. I was working on the interior decor for Emporium [a Disney gift shop]. When I later moved into the prop department, I had specific attractions I was responsible for, like Pirates of the Caribbean, Haunted Mansion, and the Primeval World diorama. I would visit those attractions in the early morning and do a visual inspection, just like you would do before a theater production.
My job as a prop and set decorator would be to repair, replace, or remove anything that would distract from the. If you saw something awry, was it a mad rush to fix it before the park gates swung open? But we might take things out, do some bench work, and then reinstall them the next day. Prop and set decor gives the story breadth. Growing up, were there certain films or TV shows that you loved watching for the props and set decor?
PufnstufLand of the Lost, and Lidsville, because they were so theatrical. Hero props are close to our guests, so they have to look real. Filler props, meanwhile, are things that fill in a set. We were running out of money and time, so we went to the store and bought large dog biscuits, broke them up, re-glued them on the wall in a different shape, and painted them silver and black. Suddenly these dog biscuits became filler—texture on the wall—and nobody knew they were dog biscuits. Our guests want to be a part of it—to touch it and feel it.
So in construction of props and sets, we look at the functionality of it. If it is something guests would engage in action, it needs to be built to withstand the test of time. Can give me an example of a fantastical idea that popped into your head once and how you brought that idea to life? This takes a lot of people. We went through 30 or 40 high-level designs. Once the designs were complete, we brought in model makers to build a full-scale model.
And from that model, we were able to pitch and sell the idea to our executive team. From there, we engaged with contractors and vendors who specialize in working with jewels and things that look like diamonds—spires, for instance, that appear to be elongated, inverted diamonds. Engineering, design, working with the city—all of that stuff has to happen as. Then we go into complete build-out, which takes six to eight months, and then we install.
Close to 40 people worked on the installation. How do you transform something as iconic as the Disneyland castle without distracting park visitors in the interim? We have amazing people from Entertainment and Tech Services and Imagineering and Operations—this is what they do day in and day. As we transform the castle, we have to make sure that people can still take photos of it without it looking funny or different.
Most of the work is done at night, when the park is closed, but even then, Disney Imagineers are extremely respectful of the night crews working. The last thing they want to see is scaffolding around the castle. In the case of the castle, we knew we needed to scrim it under a very large tarp for about a month.
Kim Irvine, the art director for Disneyland, came up with the idea of taking the original Herbert Ryman painting Walt used to bring out to show people what the Disney castle looked like, and printing it in almost full-scale on a scrim.
It paid homage to Herbie as well as Walt, but it also became something people could only see. What I need to do is surround myself with people who are experts and give them the ability to do what they need to do without being hindered. And when that happens, truly amazing things start to come together—especially in Imagineering.
The holidays must be your busiest time of year. What are you working on now? Christmas is, for most of our guests, a holiday tradition. They want a photo with their family in front of the Main Street Christmas tree, or they want to watch the fireworks show at night. This is what they do to celebrate. Disneyland Park will always be a traditional holiday experience, but at California Adventure, we try to start new traditions.
We recently introduced a Coco -inspired menu at the Paradise Garden Grill and brought in cultural assistance to make sure we celebrated Dia de los Muertos in a respectful and authentic way. Disney California Adventure is amazing because it is a representation of [the diversity of] California. How do you rethink those each year while still preserving tradition? Main Street is a small American township with living, breathing mayors and residents and proprietors.
Would they put Christmas cards or a menorah out? When it comes to Imagineering jobs, are most of the jobs you hire for these days computer-driven? Everything is computer-based and everyone who comes in for an interview does amazing computer work.
Our art directors really look for [job candidates] who balance. What advice do you have for all the model-building fifth graders out there interested in becoming Imagineers? We work in a world now where everything is quick gratification; people believe they should have that senior management or executive job within the first year. Take your time and learn from the people who are already. Cities We Love.
Holiday Travel. Road Trips. Travel for Good. Travel Photography. Travelers Choice Awards. Weekend Getaways.
Disney Professional Internships: Walt Disney Imagineering
But have you ever wondered who puts all of it together? Each one is a tight-knit system of engineers, managers, and performers working to create the experience that keeps guests coming. They make the magic happen. Imagineers create everything from the parade floats hos the new rides and parks. They set the stage for your inner child to come out and play. Before you decide what college to go to, know what you want to do after you graduate.
1. Know Your Element
Do you mkney to draw? Have a more mechanical mind? One puts you on an art-intensive path, studying everything from art history to modern trends. Roes other focuses on the engineering and computer science used to make that art real. Decide which route you want to follow and learn the basics.
Comments
Post a Comment